| ID | 19940 | |
| 所在地 (Address) |
アメリカ(United States) | |
| 名前 (Name) |
現地語 (Local Language) |
Katherine Saltzman-Li |
| 日本語 (Japanese) |
キャサリン サルツマン＝リー | |
| English | Katherine Saltzman-Li | |
| 関連ウェブサイト (Related Websites) |
https://www.eastasian.ucsb.edu/people/faculty/katherine-saltzman-li/ | |
| 研究分野 (Research Field) |
芸術 / 文学 | |
| Art / Literature | ||
| 研究分野の時代区分 (Focused Period of Research) |
1200-1600 / 1600-1867 | |
| 研究関心 (Research Interests) |
現地語 (Local Language) |
Japanese literature, folklore, comparative literature, and pre-modern performing arts: primarily on pre-modern Japanese theatre, especially kabuki. “Creating Kabuki Plays: Context for Kezairoku, ‘Valuable Notes on Playwriting’" (Book). Translations of two early kabuki plays: the quintessential Edo-style piece “Shibaraku” and the puppet-derived “Sanemori Monogatari.” |
| 日本語 (Japanese) |
日本文学、民俗学、比較文学と前近代の舞台芸術：主に前近代の日本の演劇、特に歌舞伎。『歌舞伎の戯曲を創る―戯財録（戯曲創作のための貴重なノート）の文脈』（著書）、 初期の2つの歌舞伎の翻訳：典型的な江戸スタイルの作品『暫」（しばらく）と派生の人形劇『実盛物語』。 | |
| English | Japanese literature, folklore, comparative literature, and pre-modern performing arts: primarily on pre-modern Japanese theatre, especially kabuki. “Creating Kabuki Plays: Context for Kezairoku, ‘Valuable Notes on Playwriting’" (Book). Translations of two early kabuki plays: the quintessential Edo-style piece “Shibaraku” and the puppet-derived “Sanemori Monogatari.” | |
| 現況 (Current Status) |
現役(Active) | |
| 日文研経歴 (Affiliation to Nichibunken) |
No | |
| 「国際日本研究」コンソーシアムに所属 (Affiliation to the Consortium for Global Japanese Studies) |
No | |
| ORCID iD | https://orcid.org/0000-0001-9801-4045 | |
| 関連資料URL Source URLs |
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| 備考 Notes |
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| 更新日 Last Updated |
2024/07/01 | |
Workplaces
| Present | Affiliation Period/ *Survey Date | Name of Workplaces | Academic Title |
| 〇 | *2021～ | カリフォルニア大学サンタバーバラ校 人文科学カレッジ 東アジア言語・文化学科 (University of California, Santa Barbara, College of Letters and Science, Department of East Asian Languages and Cultural Studies) |
Associate Professor |