| ID | 20538 | |
| 所在地 (Address) |
アメリカ(United States) | |
| 名前 (Name) |
現地語 (Local Language) |
Maki Isaka |
| 日本語 (Japanese) |
マキ イサカ | |
| English | Maki Isaka | |
| 関連ウェブサイト (Related Websites) |
https://cla.umn.edu/about/directory/profile/isaka | |
| 研究分野 (Research Field) |
視覚文化 / 文学 / ジェンダー・セクシュアリティ | |
| Visual Culture / Literature / Gender, Sexuality | ||
| 研究分野の時代区分 (Focused Period of Research) |
1600-1867 / 1867-1952 | |
| 研究関心 (Research Interests) |
現地語 (Local Language) |
Japanese theater and literature, Gender studies; -Women's gidayû-music (vocal music providing music, narration, and characters' voices of a puppet theater, Bunraku, now defined as all-male traditional performing arts, and has been based on a masculine voice) and its fandom in modern Japan; -how gender has been constructed, understood, and theorized in the discourse of onnagata (male actors who perform the roles of women in the kabuki theater) |
| 日本語 (Japanese) |
日本の演劇と文学、ジェンダー研究。 ー女性の義太夫ととその近代日本のファンダム。ー女形の言説におけるジェンダーの構築・理解・理論化 | |
| English | Japanese theater and literature, Gender studies; -Women's gidayû-music (vocal music providing music, narration, and characters' voices of a puppet theater, Bunraku, now defined as all-male traditional performing arts, and has been based on a masculine voice) and its fandom in modern Japan; -how gender has been constructed, understood, and theorized in the discourse of onnagata (male actors who perform the roles of women in the kabuki theater) | |
| 現況 (Current Status) |
現役(Active) | |
| 日文研経歴 (Affiliation to Nichibunken) |
No | |
| 「国際日本研究」コンソーシアムに所属 (Affiliation to the Consortium for Global Japanese Studies) |
No | |
| ORCID iD | ||
| 関連資料URL Source URLs |
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| 備考 Notes |
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| 更新日 Last Updated |
2022/03/22 | |
Workplaces
| Present | Affiliation Period/ *Survey Date | Name of Workplaces | Academic Title |
| 〇 | *2021～ | ミネソタ大学 学芸カレッジ 中東アジア学科 (University of Minnesota, College of Liberal Arts, Department of Asian and Middle Eastern Studies) |
Professor |